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Culture

A poem on Sunday: Blodeuwedd by Sarah Persson

By Jon Gower
'Trees continue to grow despite everything' by James Gregory

Sarah Persson

Each spring, my family visit Castle-Upon-Alun in the Vale of Glamorgan to have a picnic and see the bluebells.

A couple of years ago, my daughter was playing on the riverbank and there were shrieks from an unknown bird  - suddenly everything felt magical and ancient.

It was as if Blodeuwedd were the flowers and plants all around us calling in an owl’s voice.  As many people reading Nation.Cymru will know, Blodeuwedd is a mythological character from the fourth branch of the medieval stories of the Mabinogion.

Created out of flowers as a wife for Lleu Llaw Gyffes, she is unfaithful and plots to kill her husband. As punishment for this, Blodeuwedd is turned into an owl.

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Blodeuwedd

Something prehistoric yells in the trees,

like an owl mourning flowers.

The Alun streams strange,

flowing up from the sea

bubbling back

back

to a girl

making mud men,

slippery on the clay banks.

She dreams in flowers, oak,

broom, bundles of nettles, meadowsweet

white daisies and bluebells.

A jealous boy throws rocks

Miss me

Miss me

Now you gotta

kiss me.

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The stream swallows the shock of

them,

closes around the wounds

so quickly she wonders

if the rock was a trick of the light,

as if the story never happened at all

although the wall builds beneath the surface.

She adjusts the water,

pushes out posies on rafts of bark,

smooths herself with sunlight,

the rock in her heart

and an owl screeching.

Smooths herself with sunlight.

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2 comments

Shan Morgain

Blodeuedd is strictly speaking, a character in the Mabinogi, an intricate work of mythology or literature (see my current series 'Magnificent Mabinogi', on Nation Cymru). The Mabinogion is the title of a collection of mediaeval tales, which includes the Mabinogi. To remember which is which, the longer word (all 11 tales) includes the shorter word. I do not share many people's delight and fascination with Blodeuedd. What many do not know is almost all the pretty flowers use in her manufacture, are poisonous. A mediaeval audience living in a farming society would hvae known this, so picked up the advance warning of something nasty. Blodeuedd is interesting as a non-human construct, a vegerable. It (she) has no initiative/ choice of her own. It (she) is manufacrured by two males as a sex-doll, handed as a passive gift to a third male. Its (her) one independent act is to choose yet another male to service sexually. It (she) then becomes his thing, his tool, and does his will as a treacherous killer. Not a female type I like. I did see a reference to Blodeuedd dreaming which suggested it (she) found a kind of freedom in dreams of her former green life. Nice idea and reflects the pathetic freedom in dreams that is all slave-type females have. Finally I like and admire owls, fine mothers, excellent collaboraive hunters with a partner. Blodeuedd in the tale becomes an owl as a cursed fate. Perhaps instead that gave her finally a real life with freedom and choices.

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Steve Boatright

It is possible to see Blodeuwedd as the victim in this story - she did not consent to being created, she became a possession, she found love in another, she plotted death to Lleu true but did not strike the blow that transformed him into an eagle.

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It is possible to see Blodeuwedd as the victim in this story - she did not consent to being created, she became a possession, she found love in another, she plotted death to Lleu true but did not strike the blow that transformed him into an...

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